![]() ![]() When reality arrives, he escapes, and when he cannot escape physically, he escapes by dividing part of himself into the apparition of the dead stranger, Mister Duck. He causes events to happen just to see what the reactions of the people around him. Richard's character lacks depth and emotion. He does not want to assume responsibility for anything that he does. His purpose in life is to satisfy his own urges to smoke cigarettes, marijuana, play video games and see interesting and exciting things. Richard goes through life as a curious observer without regard to anyone's feelings but his own. Richard has a need to blend in and to belong to the country he is in, but that need does not extend to learning the language or the needs of the people. Richard lusts after Francoise, clumsily spies on the Thai guards, craves excitement, obsesses about video games, is a chain smoker and a marijuana addict, tortures a deranged man, murders Christo and causes the downfall of the beach commune. Dissatisfied with paradise, Richard manipulates the occupants, plays out his Vietnam war fantasies, and eventually ruins the paradise for everyone through his behavior and selfish attitude. He joins forces with a young French couple, and with the help of a map given to him, locates the beach and begins living in the commune. In this novel, Richard lands in Thailand without a specific agenda, and chooses to find a hidden beach reported to be a exotic paradise. He feels comfortable enough in foreign countries to purchase dope, stay in guest-houses that are off the tourist trail, and speak to strangers. Richard is a young British man in his early twenties who has developed a habit of using travel to exotic destinations his version of escaping reality. Spellbinding and hallucinogenic, The Beach by Alex Garland - both a national bestseller and his debut - is a highly accomplished and suspenseful novel that fixates on a generation in their twenties, who, burdened with the legacy of the preceding generation and saturated by popular culture, long for an unruined landscape, but find it difficult to experience the world firsthand. Yet over time it becomes clear that Beach culture, as Richard calls it, has troubling, even deadly, undercurrents. They discover the Beach, and it is as beautiful and idyllic as it is reputed to be. Duck - the name by which the Thai police have identified the dead man - and his own obsession with Vietnam movies, Richard sets off with a young French couple to an island hidden away in an archipelago forbidden to tourists. There, it is rumored, a carefully selected international few have settled in a communal Eden. The Beach, as Richard has come to learn, is the subject of a legend among young travelers in Asia: a lagoon hidden from the sea, with white sand and coral gardens, freshwater falls surrounded by jungle, plants untouched for a thousand years. ![]() On Richard's first night there, in a low-budget guest house, a fellow traveler slashes his wrists, bequeathing to Richard a meticulously drawn map to "the Beach." The Khao San Road, Bangkok - first stop for the hordes of rootless young Westerners traveling in Southeast Asia. ![]()
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![]() It was released for Windows, Linux, and PlayStation 4 on. And still you must continue, step by step, knowing that if you fail you will lose everything. Amnesia: Rebirth is a 2020 survival horror video game developed and published by Frictional Games. While you struggle to make your way through a desolate landscape, you must also struggle with your own hopes, fears, and bitter regrets. Adventure Mode not only removes all life-threatening encounters with monsters from the game while brightening up the environments and providing more. Step into Tasi’s shoes and guide her through her personal terror and pain. Amnesia: Rebirth is now a little less scary on PS4 and PS5 with the release of the free Adventure Mode update, which is available now on both platforms. “Do not allow yourself anger, do not allow yourself to fear.” ![]() For more news, reviews, guides, and features on the Amnesia franchise and the videogame industry in general, Prima Games has everything you need, just a click away. Where have you been? What did you do? Where are the others? Retrace your journey, pull together the fragments of your shattered past it is your only chance to survive the pitiless horror that threatens to devour you. The game is the fourth installment in the long-running franchise following 2010’s Amnesia: The Dark Descent, 2013’s Amnesia: A Machine for Pigs, and 2020’s Amnesia: Rebirth. In Amnesia: Rebirth, you are Tasi Trianon, waking up deep in the desert of Algeria. ![]() ![]() And so you crouch in the dark, trying to stop the fear rising, trying to silence what lies within you. 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Paragon NTFS 17 Crack Mac OS X is the world’s best Mac hard disk managing tool. ![]() ![]() IBM now refers to this product as the Database Partitioning Feature (DPF) and bundles it with their flagship DB2 Enterprise product. This DB2 edition was eventually ported to all Linux, UNIX, and Windows (LUW) platforms, and was renamed to DB2 Extended Enterprise Edition (EEE). This edition allowed scalability by providing a shared-nothing architecture, in which a single large database is partitioned across multiple DB2 servers that communicate over a high-speed interconnect. In the mid-1990s, IBM released a clustered DB2 implementation called DB2 Parallel Edition, which initially ran on AIX. The next iteration of the mainframe and the server-based products were named DB2 Universal Database (or DB2 UDB). IBM lawyers stopped this handy naming convention from being used, and decided that all products needed to be called "product FOR platform" (for example, DB2 for OS/390). Other versions of DB2, with different code bases, followed the same '/' naming convention and became DB2/400 (for the AS/400), DB2/VSE (for the DOS/VSE environment), and DB2/VM (for the VM operating system). The new version of Database Manager was called DB2/2 and DB2/6000 respectively. (Note that DRDA is based on objects and protocols defined by Distributed Data Management Architecture (DDM).)Įventually, IBM decided to rewrite the software completely. IBM extended the functionality of Database Manager a number of times, including the addition of distributed database functionality by means of Distributed Relational Database Architecture (DRDA) that allowed shared access to a database in a remote location on a LAN. An earlier version of the code that would become DB2 LUW (Linux, Unix, Windows) was part of an Extended Edition component of OS/2 called Database Manager. An implementation of DB2 is also available for z/VSE and z/VM. Later, IBM brought DB2 to other platforms, including OS/2, UNIX, and MS Windows servers, and then Linux (including Linux on IBM Z) and PDAs. įor some years DB2, as a full-function DBMS, was exclusively available on IBM mainframes. The name DB2 (IBM Database 2), was first given to the Database Management System or DBMS in 1983 when IBM released DB2 on its MVS mainframe platform. The inspiration for the mainframe version of DB2's architecture came in part from IBM IMS, a hierarchical database, and its dedicated database-manipulation language, IBM DL/I. Later, the QMF feature of DB2 produced real SQL, and brought the same "QBE" look and feel to DB2. In 1976, IBM released Query by Example for the VM platform where the table-oriented front-end produced a linear-syntax language that drove transactions to its relational database. IBM's first commercial relational-database product, SQL/DS, was released for the DOS/VSE and VM/CMS operating systems in 1981. In parallel with the development of SQL, IBM also developed Query by Example (QBE), the first graphical query language. IBM bought Metaphor Computer Systems to utilize their GUI interface and encapsulating SQL platform that had already been in use since the mid-80s. When IBM released its first relational-database product, they wanted to have a commercial-quality sublanguage as well, so it overhauled SEQUEL and renamed the revised language Structured Query Language (SQL) to differentiate it from SEQUEL, and also because the acronym "SEQUEL" was a trademark of the UK-based Hawker Siddeley aircraft company. This led to an inexact interpretation of Codd's relational model that matched only part of the prescriptions of the theory the result was Structured English QUEry Language or SEQUEL. At the time, IBM didn't believe in the potential of Codd's ideas, leaving the implementation to a group of programmers not under Codd's supervision. To apply the relational model, Codd needed a relational-database language he named DSL/Alpha. A key development of the System R project was the Structured Query Language ( SQL). In 1974, the IBM San Jose Research center developed a relational DBMS, System R, to implement Codd's concepts. ![]() Codd, a researcher working for IBM, described the theory of relational databases, and in June 1970 published the model for data manipulation. ĭB2 traces its roots back to the beginning of the 1970s when Edgar F. However, in the 1990s IBM changed track and produced a Db2 common product, designed with a mostly common code base for L-U-W (Linux-Unix-Windows) DB2 for System z and DB2 for IBM i are different. Unlike other database vendors, IBM previously produced a platform-specific Db2 product for each of its major operating systems. The brand name was originally styled as DB/2, then DB2 until 2017 and finally changed to its present form. It initially supported the relational model, but was extended to support object–relational features and non-relational structures like JSON and XML. Db2 is a family of data management products, including database servers, developed by IBM. ![]() ![]()
![]() ![]() Support for additional NVIDIA graphics cards includes mobile video cards for Windows, so with 64-bit laptops and mobile GPUs it’s now feasible to edit on a laptop in the field, on location or while traveling. To extend the range of platforms for high performance, the Mercury Playback Engine in Premiere Pro CS5.5 adds more GPU-accelerated effects and transitions, including speed changes, footage formats, field order, Film Dissolve, and Fast Blur. And for editors experienced with other editing programs, Premiere Pro adds keyboard shortcuts for many systems including Avid Media Composer and Final Cut Pro. Use the Create Stereo 3D Rig option to set up a stereo-ready 3D image pipeline to work with stereo scenes that use the After Effects camera. You can control corrections of position, scale, rotation, and perspective, and even choose to have the edges around the corrected frame cropped, or intelligently filled using information in adjacent frames.Īfter Effects CS5.5 adds new camera and lighting effects, with Camera Lens Blur for realistic defocused blur with depth-of-field soft focus and halos, and Inverse-Square 3D light falloff for a more real-world effect. Premiere Pro and After Effects CS5.5 add new options for working with the latest RED R3D files and RMD metadata, and directly adjusting RED source settings.Īs more footage is shot handheld, from digital SLRs to sports to mobile phones, the new Warp Stabilizer in After Effects 5.5 goes beyond stabilizing just camera position, using advanced Subspace Warp pixel analysis to also correct camera rotation, rolling shutter artifacts, and parallax effects from these imagers. Workflow and ToolsĪdobe was already focused on editing directly in native file formats, without requiring transcoding or rewrapping, including professional video (Sony XDCAM, Panasonic P2, DVCPRO HD), DSLR video, and digital cinema formats. The improvements in CS5.5 Production Premium extend themes that we have seen developing in previous versions of the Creative Suite. ![]() ![]() The subscription model provides a way to get started and experiment with these tools, try out more elements of the full suite, satisfy temporary staffing demands, and stay current with the latest versions without additional fees. But now subscription access to the entire Creative Suite Master Collection (Design + Web + Production) is available for $195 a month (or $129 a month with a one year subscription), the Production Premium suite is $129 ($85 a month with a one year subscription), and individual tools like Premiere Pro are $59 ($39) and Photoshop Extended is $75 ($49). The pricing of CS5.5 components stays the same (Production Premium for $1,699, After Effects for $999, Premiere Pro for $799, plus Audition for $349). Adobe has also introduced a new subscription model, so you can download and run the tools you want on demand, and pay for them only when you need them. Plus, the new Audition is native on Mac and Windows, with a rebuilt multi-threaded playback engine to import and edit and apply effects in parallel. Audition provides deep support for multi-track recording, nondestructive editing, and mixing (now including native multichannel support for 5.1 sound), plus audio restoration and effects. The new CS5.5 Production Premium steps the core production tools to new 5.5 versions, including Premiere Pro, After Effects, Media Encoder, Device Central, Flash Professional, and Flash Catalyst.ĬS5.5 also adds the full Adobe Audition audio editor into the suite, replacing the simpler Soundbooth tool from CS5. ![]() ![]() ![]() in Mass Communications from the University of California in 1994. ![]() ![]() She earned her lord’s education from Medill School of Journalism at Northwestern University in 1996.Michael as The New York Times columnist and national security contributor for MSNBC and NBC News earns an average annual salary of $355,000. In December 2015, a New York Times story by Schmidt and Matt Apuzzo (composed along with Julia Preston) scrutinized the US government for missing urgent proof during the visa screening measure for Tashfeen Malik, who might later become one of the shooters in the 2015 San Bernardino assault. The head of the FBI excused the reporting as “jumble” and it worked out that instead of having “talked transparently via online media about her perspectives on vicious jihad” as expressed in the NYT article, she had referenced these in private communications. The New York Times’ open supervisor called for “foundational changes” after these articles by Schmidt and his coauthors (the two of which had depended on mysterious government sources). Schmidt has been one of the Times’ leads reporters on the government and Congressional examinations concerning connections between Donald Trump’s partners and the Russians. On March 5, 2017, Schmidt broke the story that the F.B.I. Comey had asked the Justice Department to freely disprove Trump’s cases that President Obama had him wired tapped during the 2016 mission. In March 2015, Schmidt broke the story that Hillary Clinton had solely utilized an individual email account when she was secretary of state. ![]() ![]() ![]() There are many ways to edit audio in GarageBand, and the tips and suggestions in this post are just the tip of the iceberg. It’s a simple task to perform on both your Mac and iPhone, but the process for doing it is a bit different on each.Ĭutting is also known as trimming or splitting, and it allows you to trim a specific track to any given length or cut it into several tracks that you can separate from one another.Ĭheck out my post that details the trimming and splitting process if you want to learn all the necessary steps to help with your editing. How to Cut Audio in GarageBandĬutting an audio track is one of the most common edits you’ll make in GarageBand. To make further edits, you can tap on the track again and select another option. Select any of these options to make edits to the selected track. (Screenshot taken in GarageBand on my iPhone)ĥ. This will bring up the Audio Editor window at the bottom of the screen. Double click on the track you want to edit. To edit audio in GarageBand on your Mac using the Audio Editor, follow these steps:ģ. It also gives you a close-up look at the waveform you are editing. This gives you quick access to all of the tools, features, plug-ins, and anything else you want to use during the editing process. How to Edit Audio in GarageBand MacĮditing audio in GarageBand on Mac is easy when you use the Audio Editor tool. You’ll get faster as you gain experience, but you don’t want to make it a race, or the final result will suffer. If you move too fast through an editing project, you will likely miss things that you’ll have to return to later on. Even if it’s painstaking, you always want to take your time. You might need to listen to one section or even one note over and over again to get it dialed in just right. So having the power to quickly and easily undo a change is very useful during the editing process.Īudio editing can be a tedious project, and you never want to rush through things. You won’t always make the edits you want, and sometimes even professional audio engineers make mistakes. This will undo the previous actions you made, and you can do it by pressing the Command and Z keys at the same time. Make sure you memorize the Undo command when doing edits in GarageBand on your Mac. It’s very intuitive but something you should also keep an eye on during the recording and editing process. Moving the playhead around is as simple as dragging your mouse. You need to become familiar with moving and adjusting the playhead to ensure all of your edits are precise and in the proper location. The Playhead is the line indicating where you are currently working in the project. And you’ll use the tools and features to make edits that impact it. The audio editor in GarageBand, which we’ll look at in the sections below, gives you an up-close and personal look at the waveforms. The more you understand the waveforms you are working with, the better you will become at editing them during the process. But you also want to make sure that you choose a take that is close to being perfect, so there isn’t as much to edit down the road.Įvery edit you make applies to the waveform of the recorded audio track or project you are editing. Using quality equipment such as microphones or instruments is a solid start for getting a good recording. This will save you a ton of time and effort in the long run because it’s much easier to polish a good track than one that needs a lot of work. One of the best tips I’ve ever learned about editing audio is to focus on capturing a good recording before you start to edit. ![]() This will give you a better understanding of how to use the tools and features I’ll point you to in the following sections. Everyone finds their unique process for editing audio, but the tools and concepts you use are generally the same.īefore getting into how to edit audio in GarageBand specifically, I wanted to touch on some general basics of audio editing. ![]() ![]() ![]() ![]() Finally, without changing tools, drag the selected area over to an area of clear space. To access the Patch tool, you’ll need to click and hold on the icon with the “Spot Healing Brush”, and then select the Patch tool from the menu that pops up.ĭraw roughly around the pin on the left, making sure to get all of the shadow as well. We need to make sure we’re on the layer that we want to edit-so scroll down in the Layers panel and click on “Photo for Editing”. The left-most pin might interfere with our text and button, so let’s remove it using the Patch tool. Next, let’s think about how we want to use this image-as a hero image on our landing page. Remove part of the image using the Patch tool. You’ll now have an image looking something like this: 7. Let’s change the Opacity to 85%, and change the Blending Mode from “Normal” to “Screen”. To change this, we can do two things: change the opacity (transparency) setting on this layer, and change the blending mode. Now we’ve got a solid color adjustment layer, *but* it’s completely obscuring what’s underneath it. This is called a hex code: you can type it in-or view the hex code of any color you pick-in the Color Picker window.Ĭlick OK. Let’s pick a nice bright pink to contrast with the blue button on our landing page design. Next, let’s select “Solid Color” from that little Adjustment Layers menu. Add a solid color adjustment layer with blending mode. It is also really helpful for doing a before-and-after comparison, and experimenting with different combinations of adjustments. This demonstrates what we mean by adjustment layers being non-destructive. This is fun-click the little eye icon next to the adjustment layer to toggle the adjustment on and off. You’ll see in the main image area that making this adjustment has given us brighter whites and darker blacks. Let’s increase the “Brightness” setting to about 50, and the “Contrast” setting to about 32. ![]() Note that this has added a new Layer in the list, and opened up some settings for this layer in the Properties panel. With the “Photo For Editing” layer selected, click the icon in the middle of this row of icons at the bottom of the Layers panel: Let’s try a simple adjustment layer first. This makes them perfect for a non-destructive workflow. The special thing about adjustment layers is that they affect all the layers “underneath” them in the Layers list without affecting the data in those layers themselves. This rotates the entire image, so all layers are affected. Head to the Image menu at the top of the screen, then select Image Rotation, then hit 90 degrees clockwise. First, we’re going to want to use this image in Landscape format. Okay, now that we’ve set up the document, we can get to editing. Your Layers panel should now look like this: 3. Give it a useful name, like “Photo For Editing”. It’ll ask you which document you want to duplicate the layer in-in this case, we want to duplicate it in the same document (Landing Page Hero Image.psd). So, Control + click where it says “Background” in the Layers panel, and click “Duplicate Layer…”. We want to keep that Background layer intact and work on a duplicate layer. In the “Save As” dialog box, make sure that “Photoshop” is selected in the “Format” dropdown menu. Let’s select File > Save As… (or just press ⌘ Shift ⇧ S) and save this as a Photoshop (PSD) file called something like “Landing Page Hero Image.psd”. When you open up the file, it’ll look something like this. As well as helping us with our current workflow, doing this also means if we come back to this file in several years’ time, when we’ve probably lost the original file, we will still be able to access that image as a layer within the Photoshop file. One way we can do this is to keep the original image in a Background layer, and to keep that layer locked. This is our “master” image, and to maintain a non-destructive workflow, we want to keep a clean copy of the image so that we can always get back to where we started. To open up the photo, hit ⌘ O in Photoshop, then find and select the file you downloaded, and click “Open”. Use the clone stamp tool to duplicate areas of an imageįor today’s tutorial, you’ll need to download this image file (photo credit: Jess Waters via Unsplash).Use the patch tool to remove unwanted areas of an image.Make changes to an image non-destructively.Today, we’re going to take a bit of a break from layout, and instead study what Photoshop was first created for-editing and enhancing photos. In the first half of the course we focused on finding our way around Photoshop’s interface, and learning some key tools and functions, like how to create shapes and text, as well as how to group layers, create guides, and set up a column grid to help us lay things out. It’s Day 4! You’ve made it to the halfway point of Photoshop 101. View all lessons Day 4: Photo Editing and Enhancement ![]() |